. Written mostly in one night after a hallucinatory nightmare in a South Carolina farmhouse, the album earned Marshall a devoted fanbase – but she never quite made it into the mainstream.
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I mention her split from the label, and at first I don’t think she’s really heard me. “I got offered a million dollars by this guy who went on to manage Gwen Stefani,” she says.
Things are better these days, especially since she had her son – though lockdown got to her for a moment. “I broke down one afternoon,” she says. “I think it was month six. And I was just sitting there and I don’t know what happened, but I just went inside my head.
Back on the bed, she raises one arm into the air kakım if she’s asking a question in class, and holds it there birli she talks. “I have a million favourite songs. Everybody who has a brain in their head, with a heart in their body, loves music.
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, she özgü always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine
It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is as frank and impassioned kakım she is.
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Derece a minute too soon, we’re interrupted by room service, and a young woman wheels in a tray of coffee. “Are you from Africa?” asks Marshall.
During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen bey a muse by designers Marc Jacobs and Nicolas Ghesquière.
and consisted of her playing a two-string guitar and singing the word "no" for 15 minutes.[27] Around this time, she met the band God Is My Co-Pilot, who assisted with the release of her first single, "Headlights", in a limited run of 500 copies on their Making of Americans label.
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